Easy How To draw Anime MAnga :)

How To Draw Anime Eyes  :)

The eyes are among the most important features of anime and manga characters; they are — along with the mouth — the most expressive parts of the face, and are part of what makes each character different and recognizable. Thus, it is very important to be able to draw them correctly. In this section of the How to Draw Faces tutorial, we teach you how to draw a variety of anime- and manga-style eyes. Often, tutorials by other artists only show you how to draw large female eyes, without going over the large variety of other styles. Here, we'll cover both female and male eyes, plus give you examples of numerous other styles to help you develop your own characters, or to refine your style when drawing fan art.

Lets begin with the most basic and common of anime and manga eyes, the large female type. Start off by drawing a line that curves upward, and is slightly thicker at the highest point. This eye will be on the right side of the face, so make the left end of the curved line higher than the right. The top of this particular eye isn't a perfect curve; it is slightly angular. Some eyes, of course, are nearly perfectly curved on the top.

Next, draw in the lower part of the eye. To help you place the lower half, lightly draw diagonal lines pointing down, starting at the edges of the top part of the eye. The steepness of the slope of these lines will determine how large and wide the eye will be. If you look at the other tutorials in this application, you will see that the steepness of these lines varies. Using these lines as a guide, draw the lower part of the eye. It should slope down to the right a little, and should be thicker at the right corner.

Erase the guidelines and draw a long oval within the eye. Some characters have large circles for irises, but this particular one has thin ovals. You can adjust the shape so it's wider, if you like. Make part of the oval obscured by the upper part of the eye. With all styles, the complete iris is rarely visible; part of it is almost always concealed by the upper part.

 Next, draw the outline of the light glares. Anime and manga characters' eyes should always have at least some sort of shading. Anime and manga females in particular tend to have really heavy shading and lots of shiny areas. Make sure you choose a light source, and stick with it throughout your picture. For example, since the light is coming from the left in this picture, we have to make sure all the highlights on the rest of the picture originate from the left, or the lighting will be inconsistent (unless we're using multiple light sources). Draw two long ovals: a large one on the left side of the iris (which overlaps the outline of the iris, as you can see), and a very small one on the other side of the eye.

Now draw the pupil underneath the light glares. The highlights are always on top; never draw the pupil on top of the light glares. Draw the eyelashes, too; with this particular eye, the eyelashes are a series of spikes coming off of the top-right part of the eye. Make the spikes follow the curve of the eye, so it looks like they are coming off of the eye; don't just draw zig-zag lines sticking out of the eye. ^_~ Also, draw the eyelid on the left part of the eye. It should be a thin, curved line originating from the top of the eye.

Okay, now we are going to draw another style, one that isn't as common. This eye is much more slender, elegant, and realistic looking, and is used in more serious anime and manga. This particular eye belongs to Deedlit from Record of Lodoss War, which is a considerably more serious show than Slayers (which is where the previous eye came from). Begin by drawing a long, slightly curved line. The left side should be lower than the right, and the line should curve in sharply at the left edge.

To help you define the sides and bottom of the eye, lightly draw two diagonal guidelines that originate from the edges of the eye. Unlike the previous tutorial, these lines are not very steep; the more horizontal the lines are, the smaller the eye will be. Don't make them too flat, though, because you don't want this eye to be too squinty. Using the guidelines, draw the bottom line of the eye.

Erase the guidelines and draw the outline of the iris. If there were no eyelids, the iris would be a perfect circle. However, since the iris is bordered by the eyelids, the top and bottom of the iris will be hidden from view. The iris should not be so small that you can see the entire thing (unless you wanted to convey certain emotions like anger or surprise, but that is covered in another section).

Next, draw the light glares on the iris. The placement is the same as in the previous tutorial, but like the iris itself, the glares are much smaller and more circular. Draw the eyelid above the top line of the eye, as well.

Here are a variety of other styles of female eyes you can make using the same methods. Try to see the differences between each style, as well as the similarities. Though the shape and proportions change, the top border of the eyes is always thicker, there are always multiple layers of shading on the irises, etc.

Thanks To How to draw A Manga magazines!!! its easy for me to draw anime today :)

Now it is How To Draw Anime Expressions :)

Changing the expression of anime and manga characters isn't particularly difficult, but it helps to know which features need to be adjusted for each type of emotion. In this tutorial, I will show you how the various parts of the face work together to convey different emotions. Once you learn what features to change to achieve the look you want, you should be able to draw any emotion you like. Please read through my other facial tutorials, though, since it helps to have a working knowledge of how the features should be aligned before you begin. First, we'll start off going over sadness, a fairly common emotion. This is a typical anime and manga face, but notice the changes that have been made. The most obvious indicator of the character's emotion, in this case, are the eyebrows. Notice how the inner tips of the eyebrows curve upwards. Also, her lower eyelids curve upward slightly, while her upper eyelids have a more large, round curve. Curving the lower eyelid can indicate stress, sorrow, or anger; in this case, the shape of the eyebrows shows us that it is sorrow. ^_^ Also, notice the shape of the mouth; it is small, and curves downward. Overall, the character looks like she's about to burst into tears.

This form of sadness is more subdued. The character seems depressed, but not as sad as the previous example. The eyes are smaller here (partly because this is a guy ^_^), and the mouth is larger and does not curve down so far. The angle of the eyebrows and the arch of the lower eyelid still let you know that this character is upset about something.

This picture is sort of a transition between sadness and anger. The eyebrows curve down sharply and his mouth is drawn so it looks like he is shouting, both of which indicates that he is mad, yet his irises are still very large. This sort of makes him look like he is angry, yet hurt or upset at someone or something.

This guy is clearly very ticked off, even though he isn't shouting. ^_~ You can draw angry people without them screaming their heads off. In this picture, the eyebrows are close to the eyes and angle down sharply (I also drew the folds in the skin caused by drawing ones eyebrows together like that), and the mouth angles downwards sharply. The eyes have been narrowed, and irises are very small, which helps to make a character look even more angry. ^_^

I'm not sure about this one; he looks both confused and ticked off. Alternating the angles of the eyebrows like this indicates confusion or incredulity. To add to the expression, draw the mouth slightly off-center, as well.

Its surprising how often anime and manga characters talk with their eyes closed... ^_^ I wonder how many people actually talk like that...? Anyway, closed eyes can express a variety of emotions. Here, they express impatience or annoyance, but they can also express calmness, happiness, or smugness. Flip the eyes around and have them curve upwards, and they can express extreme sadness, as well as excitement. For this particular picture, I made the eyebrows angle downwards and drew the mouth open. Notice how I drew the upper left lip slightly raised; this helps whatever emotion you are trying to convey seem more negative, whether you are drawing anger, unhappiness, or impatience. ^_^

Happiness is one of the most common emotions you see with pictures of anime and manga characters. Excessive happiness or excitement can be expressed by large eyes, highly arched eyebrows, and a big smiling mouth. Other features such as extra shinies in the eyes and the upward curving of the lower eyelid are also common. On a side note, more kawaii characters tend to have huge eyes, and small noses and mouths (unless their mouth is open, as in this picture).

This character is happy, as well, but not to the extent as in the previous example. The emotion is much more subtle. Notice that the eyebrows have been lowered (though they still arch slightly) and the curve of the mouth is very slight. The lower eyelids are arched, though, and the irises are still pretty large, so though the character's contentment is not as obvious, it is still clear he's in a good mood. ^_^

To express surprise or shock, enlarge the eyes and make the pupils smaller. This is particularly apparent in anime and manga face faults, when a character is so surprised that his/her eyes become almost as large as the rest of the face... ^_^ In this particular example, the mouth is drawn really small, but other sizes will work too

This guy isn't particularly exciting, he just looks irritated. The irises are small, the eyebrows are arched down, and the mouth is small and slightly off center. I can't think of much else to say for this one... ^_^

Now Its How To Draw Female Bodies :)

I am going to begin this tutorial by addressing one of the most commonly asked questions that I receive: how to draw women's breasts (heh, I never thought I'd actually be making a tutorial about this.... ^_^). One of the most important things you should consider is to make your subject look natural; you can draw an attractive female without making her look like a "silicon implant ad," as a friend of mine put it. ^_^

The main problems people seem to have with drawing breasts are the shape and the placement. A lot of artists (professionals as well as ametuers) make them look like balloons that have been taped onto the subject's chest; this is hardly a natural look. If you look through figure drawing books, you'll see that they are more like halves of a sphere or overturned teacups rather than balloons.

Now, note the position. Imagine a central guideline that runs down the center of your subject's body, as shown at the left. The breasts are at 45 degree angles from that center line, and are about halfway down the chest (shown by the red diagonal guidelines). Be very careful not to draw them too close together or too far apart, or too high on the chest; these are commonly made mistakes. As you will see in examples below, this basic rule of the 45 degree placement will apply to pretty much whatever pose you are using.

Here is another pose, showing the torso from a front view. Note how the breasts are still located at 45 degree angles from the center line of the body. Oh, also take note of the shading. After looking at various examples, I find that shading in this fashion (rather than just following the lower curves as you would shade a sphere) makes them look more natural.

Here is one last pose to go over the size and placement. It's harder to see here, but the breasts are still at the 45 degree angle from the center line (which isn't draw in this picture; sorry about that ^_^;). Notice that the leftmost breast is drawn as a half-sphere, not as a full sphere. If you want to exaggerate the size, that's your choice, but I personally don't think its necessary.

Now, lets move on to the neck and shoulders. When you draw the shoulders, notice that they are slope down smoothly, they aren't flat. Try to take the musculature structure of the neck and shoulders into consideration, especially if you are going for a more realistic look. They should be shaped more like a clothes hanger, and not drawn flat an hard.

Here are some more examples of various shoulder positions. Notice that the shoulders are never drawn flat and dull.

One more thing I wanted to cover regarding the torso is how to draw it if an arm is lifted. ^_^ I have personally found this difficult sometimes, so I figured it was a good thing to go over. If the arm is lifted, then the back of the torso will be exposed. Although a female's torso isn't as round and full as a males, it should still stick out in the back. Don't make the upper torso too narrow. Notice also how the top of the right-most breast doesn't just keep curving inwards in a circle; remember that it is not a full sphere, so it is attached to the muscles of the shoulder.

Next, let's move on to the arms. The arms consist of three basic sections: the upper arm, the foream, and the hand. Each can be represented in prelimiary sketches by oval shapes. Now, I know some people don't like using the shapes; you do not have to do it this way, this is just one possible way to go about sketching arms. Some books recommend using cylinders, but it's better to use flat ovals because they more closely match the shape of the arm. It isn't shown here, but if the arms are held loosely at the side, the hands should come down to the middle of the thigh. The elbows should be at about waist length.

Once you have your basic shapes of the arms down, you can refine them and make them look more realistic. This is a little more difficult. ^_^ When drawing the arms, don't make them straight and flat; arms have muscles, after all. ^_^ Never draw a straight arm as just a long cylinder (unless you are doing a super-deformed/chibi pic). ^_^ The arm starts at the shoulder. Notice how the shoulder bulges out slightly, then curves back down. The arm tapes slightly inwards until you reach the elbow. At the elbow, the arm widens again just after the elbow where the biceps are (as shown in the topmost picture here). The elbow itself can be a little daunting to draw. Remember that the arm doesn't just start curving in the other direction; there is a joint, and it should be shown (as in the top and bottom left pic). There are more examples below.

Here are some more poses for arms, this time showing how the parts of the arm overlap. It is sometimes easier to visualize the overlapping or foreshortening if you use basic oval shapes first, but again, you do not have to use them if you do not want to. Notice how in the topmost picture, the arm that is moving away from us tapers and grows smaller the further away from us it is.

These poses are a little more difficult to refine. It is very important that you pay close attention to the way each part of the arm is facing, and how the elbow is to be positioned. Try to imagine the arm as two different shapes stuck together: the cylindrical upper arm, and the forearm, which is sort of shaped like a bowling pin with a bump on the bottom. ^_^ That should help you in determining the position of the elbow.

Legs can be another problem area for artists. It's hard to make them shaped properly (especially when you don't practice very much, like me... ^_^;) Just like with the arms, it is important not to make them perfectly straight like cyliders. It is especially helpful to use ovals to help you get the shape right rather than cylinders, because the ovals better suit the shape of the thighs and calves. The upper part of each leg should be thicker, rounder, and shorter than the lower part of leg. When drawing the legs, start them thicker at the top, then taper them down until the reach the knee. As with the elbow on the previous page, the knee should be defined; it's a joint and should be drawn, the leg isn't made of rubber. ^_^ Notice how the knee bulges outwards slightly; the leg doesn't just go straight down. The muslces on the lower leg, especially the calves, should protrude a little.

Here are some more poses. I didn't use the prelimiary ovals this time because I forgot, but you should be able to see the oval shapes of the various parts of the legs. Again, I would like to bring attention to the knee, especially in the lower pictures. When the leg is bent, the knee can be drawn like a flat plane. I shaded these legs to help give you a better idea of their form. There are better details on this in various figure drawing books, but since you don't often see every bone and muscle on an anime character, I didn't feel the need to go over everything. ^_^ On the picture to the far right, notice how the calves obscure part of the thigh. In the left pictures, notice that the lower part of the legs that are lifted up are not visible, since they are hidden behind the rest of the leg.

Well, just as its important to be able to draw someone from the front, you may also wish to draw them from behind. In which case, it helps to know how to actually draw someone's behind. ^_^ I wasn't going to add this, but since many anime girls are draw in skin tight suits or swimsuits, it's kind of important. Umm... I don't know quite what to say; just be careful how you make the legs connect to the rest of the body. There's more info in the next section of this tutorial. If you need extra reference, get that figure drawing book by Burne Hogarth mentioned in my recommended reading section. He has several pages devoted to the subject. -_^

All right, now that we've gone over the major areas in detail, lets put them all together and make a full body pose. :) When drawing your subject, you can either begin with the prelimiary ovals and circles, or you can go straight to the final draft, whichever you are most comforable with. If you are using circles and ovals, then you will notice that the main body (torso and pelvis) are composed of two basic shapes, both of which curve inwards towards the stomach. I'm not going to go over these a lot, because they have been well documented in other figure drawing tutorials. ^_^ Make sure that both of these shapes, as well as the head, are aligned along a central guidline (as shown). This guidline is pretty much the spine of the character, and will determine the pose she is going to be in. Notice here that the center line curves to the left a little on the pelvis; this is because her weight is shifted and her left hip sticks out slightly (which makes the pose a little more interesting than if her weight is evenly balanced). The body can be equally divided in half as shown to by the red guidlines. You can use that as a general reference when determing how long the legs should be in proportion to the rest of the body, but often times in anime the length of the legs is exaggerated, for both males and females, and it looks just fine.

When drawing the midsection, remember to try to keep the hourglass figure shape. Female anime characters will generally have thin shoulders, a thin stomach, and a somewhat round waist. Be careful to make the curves look natural, unless you are really good at figure drawing and can exaggerate the proportions.

Here is a similar pose, this time shown at a side angle. I have found side views to be difficult, since I had a hard time finding decent reference pictures. ^_^ Notice that the body is composed of the same basic shapes, except the shapes have been rotated around. One of the things you need to consider when drawing from this angle is the shape of the upper torso. It isn't shown very well here, but as you come straight down from the neck, the chest will stick out slightly at a sharp angle as you come to the collarbone. After that point, the torso is drawn at a smooth diagonal until you reach the hemisphere shape of the breasts (remember that they are half spheres; don't draw them like beach balls!) Beneath that, the torso continues to protrude outwards slightly until reach the bottom of what would be the ribcage (its a little over one headlength down from the shoulders). After the ribcage, curve back inwards a little for the stomach. Other things to look out for are the shape of the legs (the thighs round out in front, and are flatter in back, while the lower legs are just the opposite) and the subject's behind (make sure you don't exaggerate it too much).

For the final pose of this tutorial, here is an example of someone drawn from behind (which you may actually need to draw at one point, especially if you are going to do manga ^_^). Just as before, the subject can be equally divFor the final pose of this tutorial, here is an example of someone drawn from behind (which you may actually need to draw at one point, especially if you are going to do manga ^_^). Just as before, the subject can be equally divided in half. Things to look out for at this angle include the neck; it connects up into the skull, and should obscure part of the face. The midsection should be somewhat hourglass shaped, but again, don't overexaggerate the curve unless you really know your anatomy (you have to know the basics before you can start bending the rules). Don't overdefine the lines on the behind, since there's little reason too. Be careful when drawing the arms; from the back, the elbows should be more prominent than usual. Check out the section on arms for more information.

That concludes the female figure drawing tutorial. I hope this gives you an understanding of basic anatomy, and helps you out when drawing full body subjects.ided in half. Things to look out for at this angle include the neck; it connects up into the skull, and should obscure part of the face. The midsection should be somewhat hourglass shaped, but again, don't overexaggerate the curve unless you really know your anatomy (you have to know the basics before you can start bending the rules). Don't overdefine the lines on the behind, since there's little reason too. Be careful when drawing the arms; from the back, the elbows should be more prominent than usual. Check out the section on arms for more information.

That concludes the female figure drawing tutorial. I hope this gives you an understanding of basic anatomy, and helps you out when drawing full body subjects.


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